Critical Analysis #2 |
Solitaire |
Kellie_Cantrell Senior Member
since 2002-05-22
Posts 1667New York |
Motoring along a synthetic path, deficient of judging the aftermath. Tolerable, but not modest, barely quivering near conquered inhalation. A defeat soon known. Undistinguished flavor depthless in anguish. Shallow, temptation playing its cards. Extinguished, acing a perfect solitaire. |
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RobertB Senior Member
since 1999-09-26
Posts 1104Champaign, IL |
I like this one of course this is critical analyis and that comment wasn't either of those...but at this moment, I don't feel like critical or analysis. |
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hush Senior Member
since 2001-05-27
Posts 1653Ohio, USA |
'Motoring along a synthetic path, deficient of judging the aftermath.' I think this is a really interesting beginning, although I don't think I understand how it is fleshed out here... the rest of the poem is a little too cryptic and disjointed- I want to know, "the aftermath of what?" and I can't figure it out. The lines: 'Tolerable, but not modest, barely quivering near conquered inhalation. A defeat soon known.' kind of make me think the the morning after a one-night stand- the conquered inhalation being the after-sex smoke... the defeat being the reality that it was a bad idea... but am I off base totally? 'Undistinguished flavor depthless in anguish.' I think this is a bit too cryptic to help the reader out much, but instead comes off as long words used as filler or mood... 'Shallow, temptation playing its cards. Extinguished, acing a perfect solitaire.' Far too passive to end this... I don't know who or what you're describing here... this would be an excelent place to introduce an "I" or "you" or "he/she" to give the poem some personality and direction... but if you want to keep it impersonal, I would really say to at least be more active and less passively descriptive in ending the poem. Hope I've helped. |
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