Critical Analysis #2 |
Threads in Chaos Lace |
Dusk Treader
Moderator
Senior Member
since 1999-06-18
Posts 1187St. Paul, MN |
Limitless vaults of life Pricked by golden lamps Sparkling, floating in twain, Solitaire or great fleets Burning unheralded Imparting warmth to dark space Connecting Creation’s Lace: Threads in maps of destiny Two lost threads unspun Caressed by Black Winds, Vessels on shivered pinions Enticed to Fate’s Gravity, Orbit in human compassions Facades crumbled ‘Neath gazes star spangled With angels entangled Tempestual friction Black Wind wailing Bends not life’s lace Molested vessels still sailing Swiftly through years Experiences in motley shades Of flames that never fades I'm thinking of sending this one in for a contest that could earn me a scholarship and I'd really appreciate some help to make this top-notch. I don't regularly participate here as I don't often write poetry. I was having some problems tying the first paragraph to the second, but I hope I have accomplished that. If you see anything else that is in need of a little tune up (or outright scrapping) please tell me! My thanks. "A hard, cold wisom is required for goodness to accomplish good. Goodness without wisdom always accomplishes evil" - Robert Heinlein |
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© Copyright 2002 Abrahm Simons - All Rights Reserved | |||
Irish Rose Member Patricius
since 2000-04-06
Posts 10263 |
Well, you need punctuation. And every line doesn't need capitalization unless it begins a new sentence, but of course that is just a matter of pereference I guess there is too much description here and nothing really in the way of a complete sentence to actually tell what is going on. It all sounds good, images are great, I sense some forced rhyme "spangled, entangled" Truthfully, I didn't understand it. I would begin by eliminating so many modifiers and making the nouns and verbs work and I mean work. You have so much going on here warmth, flames, lamps but then we have threads, vessels fate, orbits, vessels What are these two lost threads? Are they in outer space? what are the vaults? My questions are endless. I don't know if this helps or not!! One last thing before you hate me the meter is off, reading it I had no sense of meter at all, now I know this is free verse but still, there should be a flow and I didn't feel it. choose the metaphor, which I believe you already have in the lace-space and tell us what's going on? Kathleen--(Kay) A true friend does not love you for who you are, but in spite of who you are." -- Caroline Tran [This message has been edited by Irish Rose (01-18-2002 03:33 PM).] |
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Opeth Senior Member
since 2001-12-13
Posts 1543The Ravines |
I didn't understand what you were trying to relate. Alot of imagery for what purpose? Example, why "black wind?" Why not gray or brown. What is black wind supposed to symbolize? I also found incomplete and choppy sentence structures. Good luck. |
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Brad Member Ascendant
since 1999-08-20
Posts 5705Jejudo, South Korea |
Opeth said: "I also found incomplete and choppy sentence structures." I think this is the biggest problem. Don't forget that linebreaks work best, most of the time, when they are in conjunction with a syntax that's readable without linebreaks. It creates a tension in the way people read. Yes, there are techniques that minimize this tension, but I don't see how that helps you get across what you want to get across in this case. thanks, Brad |
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