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Critical Analysis #2
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b.costen
Member
since 2003-11-02
Posts 107
ontario, CAN

0 posted 2004-10-09 07:05 PM


COME BACK, AS THE WIND COMES BACK

you’ve seen the zebras on television
just as i’ve seen them grazing in the grass
ethiopian, golden grass
with a wisp of wind behind
their ears, tufted
nuzzling their limbs into
the warmer parts of each other
their stripes colliding easily
and the metallic blue sky
always flying up farther away from everything!
its fun to pretend
you’re a lion at this point
you might have been stalking your prey
through the underbrush
and your ribs were already showing
followed this pack four days now—
you’re hungry.
thinking like a lion, it’d be easier
to make a move for one of the kids
they don’t run as fast, and the
mother won’t put up a fight
also, younger zebras are tender
but all that seems a little
malicious from your living room couch
you go get a coke from the fridge
the thing with zebras
is their limbs go so loose
after their necks are broken
and their dusty white black
coats, stained with slaughter,
are left inside out, open
to the carcass dwellers of the sub-saharan desert
sun and wind dried
if you were a dead zebra,
you might get dragged around for days
with your loose limbs
trailing out behind four lines in the earth
then after your usefulness
the sand would sweep to the wind
wiping your stain off its face
its then you realize
the earth is just cleaning itself off—
there is no pleasure in the lick

© Copyright 2004 ben costen - All Rights Reserved
hush
Senior Member
since 2001-05-27
Posts 1653
Ohio, USA
1 posted 2004-10-09 11:49 PM


I think the best lines here are:

'and their dusty white black
coats, stained with slaughter,'

and

'there is no pleasure in the lick'

I think they are clever and concise. However, a lot of this kind of drags on- I can kind of see where this might be showing the pathway of thought of an idle mind, but it seems drawn out. Oh, and I'm not sure I really get the exclamation point at the end of line 10.

Hope I've helped.

b.costen
Member
since 2003-11-02
Posts 107
ontario, CAN
2 posted 2004-10-10 01:26 AM


thanks hush, your critique was good

so what's it going to be then, eh?

Not A Poet
Member Elite
since 1999-11-03
Posts 3885
Oklahoma, USA
3 posted 2004-10-10 12:15 PM


I really liked Hush's observation, "thoughts of an idle mind." I too wonder why the exclamation mark. In fact, I question the whole line as illogical.

The beginning seemed slow. I suppose that is consistent with the "idle mind" but I wonder if it might be strengthened somewhat with the goal of better pulling in a disinterested reader.

I found that I could easily identify with the lion's viewpoint but less so the dead zebra's. At about that time, I got the impression of rambling a bit too much. Maybe that's not an all bad thing, probably depending on your intent. The turn at the end, however, did bring it to a logical conclusion. Giving the Earth's viewpoint was a welcome surprise.

On a final note, my first overall impression was, like Hush, a little too drawn out. But, on reading again, I'm not sure where to trim.

Oh, I thought the line "their stripes colliding easily" was excellent. Not only was it a vivid image but unusually presented.

Thanks

Pete

Never express yourself more clearly than you can think - Niels Bohr

Brad
Member Ascendant
since 1999-08-20
Posts 5705
Jejudo, South Korea
4 posted 2004-11-01 07:46 AM


Well, Mr. Costen, I'm getting that funny feeling in the back of my head. It seems you deserve watching.

No time tonight. I'll try tomorrow.


b.costen
Member
since 2003-11-02
Posts 107
ontario, CAN
5 posted 2004-11-01 11:28 AM


Please do, sir.

...Please.

so what's it going to be then, eh?

Brad
Member Ascendant
since 1999-08-20
Posts 5705
Jejudo, South Korea
6 posted 2004-11-28 09:17 AM


first step, you get metonymy, not metaphor.

Not yet, anyway.

Um, keep writing, you've got the write idea.


Brad
Member Ascendant
since 1999-08-20
Posts 5705
Jejudo, South Korea
7 posted 2004-12-16 08:47 AM


I've been reading some of your later stuff and just a couple of suggestions:

1. Go longer, try to put in as much detail as you can stomach. Also, the key to any good poem, good writing, is ultimate the verb, not the adjective. Concentrate on that.

2. Start writing in sentences, it creates a much fuller sound to the poem.

Yes, many will disagree with me, but give it a shot and see what you think.


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