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Unto You For Good, Part 3 Genesis 39:6-12
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Unto You For Good, Part 3 Genesis 39:6-12 |
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Songbird Member Elite
since 1999-12-15
Posts 2184Missouri |
(I hope you are not tiring of these, I seem to be on a roll after a long dry period of not being able to write anything.) Muscular and handsome A man whom Any woman's eyes Might take notice Potiphars wife's Desires Were voiced Day after day As Joseph went about The duties of his master Come hither She called With all her charms She invited him To betray his Master's trust. Seeing her efforts Were all in vain She caught him By the cloak Saying "Come to bed with me." |
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| © Copyright 2000 Marcia Estep - All Rights Reserved | |||
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deleeme Senior Member
since 1999-10-09
Posts 1766NEW ENGLAND, USA |
SeptSong, You do not have to be apologetic. Sometimes it is like that, we all go through dry spells- but fortunately they do not last. Thank you for sharing with us your latest installment in the life of Joseph--It reads so much like a soap opera--but it is true--Keep them coming your doing fine! David "Our Creativity points to a Higher Creator--we couldn't have just happened, and for what ability we may possess--to God be the glory." -dlw- |
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WhtDove Member Rara Avis
since 1999-07-22
Posts 9245Illinois |
Like David says, we all go through dry spells. I'm glad you could be inspired to write these! No apology necessary! |
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Stephen Jones Member
since 2000-02-26
Posts 53 |
Beautiful once again! Isn't it wonderful when the flow of writing returns after a dry spell? Personally I think that after the dry spells we write a notch better than before. There is a maturing through those periods. At least that's been my experience. Although there have been one or two painfully long dry periods where I wondered if I would write again (or at least write good again!) Thanks for sharing. |
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ellie LeJeune Member Elite
since 2000-01-10
Posts 4156King of Prussia, PA USA |
Dear Septsong; do not opologize. I am so excited that you are writing again and this is wonderful to read. Totally inspired! Love, Ellie 02 |
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