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Balladeer
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0 posted 2009-04-27 10:58 PM



Another form that has it's base lodged in the employment of triples is the often hated and much maligned villanelle. The villanelle consists of five triples followed by a quatrain to end the poem. Writing a villanelle is not difficult but making a villanelle interesting, is, based on the amount of times sentences must be used. One needs two very strong lines to pull it off. The most popular villanelle ever written was "Do Not Go Gently into That Good Night" by Dylan Thomas. Aside from that one, you need to search far and wide to come up with one that has captured the public's attention and admiration.

The rules are fairly simple. In the five triples, the first line of the poem also becomes the third line of the second triple, and the third line of the fourth triple. The last line of the first triple also becomes the last line of the third triple and the  last line of the fifth triple. All middle lines of the triples must rhyme.  In the closing quatrain, the rhyme scheme is a-b-a-a, where the second line rhymes with the middle lines of the triples and the first and third lines of the first triple become the third and fourth lines of the quatrain. Sounds easy enough, no?

I wrote this poem as an explanation of how villanelles are constructed...


The first line always goes right here

You must choose well each clever word

The third line's here - now, ain't that clear?


The first lines now that will appear

Rhyme with 1st stanza's first and third

The first line always goes right here.


All middle lines must rhyme, my dear,

Although it may sound quite absurd

The third line's here - now, ain't that clear?


Five 3-line stanzas shall appear

With rhymes in place as was inferred

The first line always goes right here.


One 4-line verse brings up the rear

The proper style is now insured

The third line's here - now, ain't that clear?


So take it from the Balladeer

Of villanelles you now have heard

The first line always goes right here

The third line's here - now, ain't that clear?

Now  that you have the rules down, let's see what you can do...

© Copyright 2009 Michael Mack - All Rights Reserved
Balladeer
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1 posted 2009-04-28 02:26 PM


Ready to grade!


moonbeam
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2 posted 2009-04-28 04:11 PM


Temporal illusion

Resist the tempting lilt of time's long blast,
awake from ether years that tick away,
no now, no then, no later and no last.

To you who sit and comfortably fast
and vainly wait for morrow's fattening day,
resist the tempting lilt of time's long blast.

To those who suck dry marrow of the past,
throw down the dusty bones, arise and say
no now, no then, no later and no last.

And you who glut on certainty must cast
beyond the present garnish, and then may
resist the tempting lilt of time's long blast.

Spurn paltry centuries and stand not aghast
while little minutes seem to go astray,
no now, no then, no later and no last.

Let me but glimpse a lie so old and vast,
then armed in understanding light I pray,
resist the tempting lilt of time's long blast.
No now, no then, no later and no last.

Grinch
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Whoville
3 posted 2009-04-28 04:27 PM


The world can see the tears within my eye
Your gift my love, a symbol of the fall
But they don’t know the reason why I cry.
Some men may guess deceit and whisper why
My pain could hinge upon my loss but all
The world can see the tears within my eye

They may see pride, a blindfold to the lie
That sent me like a beggar to the wall
But they don’t know the reason why I cry
Myself to sleep, but maybe if they’d try
They'd prove that with a sigh so small
The world can see the tears within my eye

I fell so quick, so low, from way up high
They only see a fool curled in a ball
But they don’t know the reason why I cry,
That when you died I wished that I could die,
That you, and only you, could make me whole
The world can see the tears within my eye
But they don’t know the reason why I cry.

(L5 S2 Rhyme scheme fixed - it was:

To empathise, they’d prove that with a sigh)

[This message has been edited by Grinch (04-29-2009 03:40 AM).]

Dr.Moose1
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4 posted 2009-04-28 04:29 PM


Balladeer,
This is much better than "the dog ate it".
I posted one here a little after 2:00 p.m. today, but was using my wifes' computer as my
wireless router is on the fritz. Needless to say as my wife is not a member, that post went careening off into cyberspace. "No problem " you say, " just repost " Lol, nope, I ran it through the  paper shredder. Btw, I enjoyed your clever
poem about the form and will post something
as soon as I piece one together.
Doc

moonbeam,
Excellent stuff, going back for a re-read.
Doc

[This message has been edited by Dr.Moose1 (04-28-2009 05:50 PM).]

Grinch
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Whoville
5 posted 2009-04-28 05:50 PM



The dog did eat mine, unfortunately he threw it back up again - that’s my excuse and I’m sticking to it.


Klassy Lassy
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6 posted 2009-04-28 07:43 PM


You are so good!   )  I don't think I know how to count, what goes here, there, the meter amount.  But I am here by hook or crook--you write the magic and I'll just look.

Love villanelles.  

Balladeer
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7 posted 2009-04-28 08:01 PM


moonbeam, I'm beginning to think you're a natural. You picked a good topic, good repeating lines and the structure was exact...a very nice piece of work.

grinch, you had good lines and even managed to insert a little mystery into it which was not revealed until the end. That is an excellent trait for a villanelle and not easy to do. I would give you as high a mark as moonbeam except you blew the rhyme scheme in the middle line of the fourth triple. Still very good work...

Thank you both for joining in...

Grinch
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Whoville
8 posted 2009-04-29 03:35 AM


You mean the dog blew it, it was perfect when he ate it!


Balladeer
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9 posted 2009-04-29 07:55 AM


....and still people call them man's best friend. Go figure!
Dr.Moose1
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10 posted 2009-04-29 11:47 AM


Whatever else that it might be
I'm quite concerned for Balladeer
When it comes down to poetry

He seems to be obsessed with three
Some cult has brain-washed him I fear
Whatever else that it might be

Or maybe colonoscopy
Somehow got head confused with rear
When it comes down to poetry

Performing a lobotomy
Just how it came about's unclear
Whatever else that it might be

With each new possibility
All jokes aside from what I hear
When it comes down to poetry

One must conclude inevitably
That Balladeer is without peer
Whatever else that it might be
When it comes down to poetry

Marc-Andre
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since 2008-12-07
Posts 501

11 posted 2009-04-29 01:03 PM


Rouble, rouble, toil and trouble,
To the Gulag camp we go.
Carrion burns and hubble bubble.

Working in snow-covered rubble
Happy to escape death row;
Rouble, rouble, toil and trouble.

Don’t believe reporter Hubbel,
Better here than on skid row.
Carrion burns and hubble bubble

Drunk on vodka, seeing double
Guards make girls run to and fro
Rouble, rouble, toil and trouble.

Bolsheviks here sport a stubble
They’re too cold to be gung ho;
Carrion burns and hubble bubble.

Glasnost: yet don’t burst their bubble,
Speak your mind, but speak it low.
Rouble, rouble, toil and trouble;
Carrion burns and hubble bubble.



[This message has been edited by Marc-Andre (05-01-2009 10:41 AM).]

Marc-Andre
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12 posted 2009-05-01 08:07 AM


Had some issues editing here...all fixed now.

[This message has been edited by Marc-Andre (05-01-2009 11:04 AM).]

Johan
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13 posted 2009-05-13 07:07 AM


Hi Balladeer, I have just posted a Villanelle, hope you enjoy it.

Johan

Alison
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14 posted 2009-05-15 02:16 AM


Orchestrating Spring


Pussy Willow purr while Dogwoods bloom
Sandhill cranes easily join the show
Geese sing loud songs, honking out of tune

Strident sunshine smothers winter’s gloom
Solo voices soar with golden glow
Pussy Willow purr while Dogwoods bloom

Frozen rivers compose sonic booms
Flowing water hums as channels grow
Geese sing loud songs, honking out of tune

Slender branches rattle witches broom
Needles whisper as the west winds blow
Pussy Willow purr while Dogwoods bloom

Vibrant flowers clutter forest’s room
Graceful shimmy weaving to and fro
Pussy Willow purr while Dogwoods bloom
Geese sing loud songs, honking out of tune

-

Alison

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15 posted 2009-05-15 02:29 AM


You know, I have been playing with this assignment since it was put on the board - and I have read everyone's postings.  I learned from each of you - admired the vast array of styles within such a structured form of poetry and learned from each one.

Thank you for sharing as you all do - and for plugging along with me.

A

Dr.Moose1
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16 posted 2009-05-15 06:46 AM


Alison,
And a fine spring concert it is.
Doc

Alison
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17 posted 2009-05-15 11:00 AM


Doc,

Thank you.  Now I want to try to learn to write humor - your poem made me laugh even as I saw your respect and affection for our esteemed teacher.  

You make me smile - and, Gol Darnit (my Mom wouldn't let me say that when I was little - substitution for the real thing, you know ) - and, Gol Darnit!, I love how you write!

A

Suncleaver
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18 posted 2009-05-28 04:42 AM


Through Jaded Eyes

Through jaded eyes; in love there's pain,
The ruin kept for young of heart,
As wisdom makes its scorn so plain.

What solace will to us remain,
When aged do their doom impart?
Through jaded eyes; in love there's pain.

Salvation can we hope to gain,
By playing each tormented part?
As wisdom makes its scorn so plain.

Devotion's warmth can we retain,
Or will we bleed, and drift apart?
Through jaded eyes; in love there's pain.

The youthful plight of sorrow's stain,
Our bitter end, though sweet our start,
As wisdom makes its scorn so plain

Will apathy forever reign?
Our shallow lust our only art?
Through jaded eyes; in love there's pain,
As wisdom makes it's scorn so plain.


HAZARD
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since 2009-06-24
Posts 40
ENGLAND
19 posted 2009-06-26 08:55 AM


Please have a look at this one before I dare post it!
All the best - HAZARD


Romance stings bitterly when kisses lie

Romance stings bitterly when kisses lie,
When the briar scars the tongue and lips still crave,
Gentle letters float to ash amidst the fireflies.

Broken promises taunt her galvanic cries.
Stricken hearts go early to winters grave.
Romance stings bitterly when kisses lie.

Warm summer rain mingles in teary eyes,
Trust misers doubt, penned love to enslave,
Gentle letters float to ash amidst the fireflies.

Pockets rifled, red-gold killed his alibies,
Unforgiven – lust outshone the barley wave.
Romance stings bitterly when kisses lie.

Dark passions wrench out embittered sighs,
Tender moments spill from diaries saved,
Gentle letters float to ash amidst the fireflies.

Burn all that reminds of betraying ties,
Molten, shapeless, scattered in smoke they rave,
Romance stings bitterly when kisses lie,
Gentle letters float to ash amidst the fireflies.

[This message has been edited by HAZARD (06-26-2009 09:48 AM).]

Balladeer
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20 posted 2009-06-26 09:19 AM


Suncleaver, I must offer my apologies. Your entry was posted at a time I was involved with medical challenges and I missed it completely. Needless to say, it is perfect from the rhyme to the flow to the syllable count to the content...an excellent piece of work.

HAZARD, thank you for your submission. I will give it time later on in the day when work is finished. I must warn you that I am referred to as an ogre in here. Proceed at your own risk!

HAZARD
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ENGLAND
21 posted 2009-06-26 09:43 AM


awww - I'm as ready as Odysseus was for the Cyclops -

Seriously though - appreciate your time - please do make suggestions as I want this to work hard.

H

Balladeer
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22 posted 2009-06-26 12:42 PM


Ok, then, HAZARD...

In the first place, the rhyme of your two main lines is not a good rhyme. When you have a multi-syllable word you want to rhyme with, the position of the accented syllable is exact. Your multi-syllable word is fireflies. The accent is on the first syllable...FIREflies..therefore the rhyme on the corresponding line must also be on the second to the last syllable, which it is not. Sorry if that sounds complicated. Let me explain it another way,,

carry - marry -> here are two two syllable words with the accent on the first syllable...CARry and MARry. Good rhyme.
carry - marie -> here is a word with the accent on the first syllable but the second word has the accent on the last syllable ...CARry and maRIE. Bad rhyme.
How you manipulate the accent is important. Widow and window is a bad rhyme all because of the accent placement.

Moving on, the construction on a villanelle needs to be fairly exact to maintain the flow of the lines. The three lines of your first stanza begin with a (1) trochee, (2) anapest and (3) trochee. Now, if you were to follow that construction throughout the poem, that would be fine but, unfortunately, you don't. The middle line of your second stanza begins with a trochee, middle line of the third stanza is iambic, the fourth is trochaic, along woth the fifth and sixth. So, in your middle lines, you have anapestic, trochaic, iambic, trochaic, trochaic and trochaic. The first lines of each stanza are trochaic, trochaic, iambic, trochaic, trochaic, trochaic.

So you can see that you are not that far off! The variance, however, hurts the flow of the poem and creates a choppiness in the lines.

Then we have the syllable counts, very important in villanelles. With regards to your two important lines, the ones that get repeated, you have 10 syllables in the first and 12 in the other. Unacceptable, I'm afraid. In the middle lines the syllable counts are as follows -> ..11-10-9-11-10-10. All of these things together hurt the quality of the poem. If you will look at Suncleaver's poem, you will find the exact number of syllables in every line and you will see every line begin iambic and every carry the iambic throughout the line. You will clearly see how easy it is to read and how perfectly the lines flow. THAT is what one tries to achieve.

As I said, you are not that far off. With a little tweaking, you could get the syllable counts right and even the iambs, trochees and anapests straightened out. With the unacceptable rhyme of lie and fireflies, though, I don't think it would be worth the effort. I would really like for you to try again and incorporate these thoughts. That you are talented is obvious after reading your posts in the Open forum. Structure can give anybody fits...ask Alison!

Thanks for submitting it and giving it a try. I look forward to your next attempt!


HAZARD
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23 posted 2009-06-27 05:58 AM


Well, you certainly know your poetic metre better than me!
I will first of all look up some of the terms - then  I'll use this one as a cadaver to dissect - once i know how the blood flows - I'll build a new creature - as reanimation is bound to go horribly wrong!

Many thanks for your accurate and empirical descriptions - whether I can do summin good is another story!

HAZARD

Balladeer
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24 posted 2009-06-27 09:37 AM


Sounds good, HAZARD. You sound like one determined to learn and that makes you tops in my book. If you look in the earlier topics in this forum you will see explanations and examples of all the terms I described. I look forward to you work!
Alison
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25 posted 2009-06-27 02:31 PM


HAZARD,

I still struggle, but I have learned a lot in this Workshop.  Welcome to the boards - I think you will have fun here.  Well, it wasn't always fun for me.  I spilled tears, but the rewards make those tears worthwhile.

Alison

HAZARD
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26 posted 2009-06-28 10:07 AM


Spent some time today and yesterday looking at meter and syllable. There are some interesting Villanelle's in Sylvia plath's work, for example.

I soon came to the conclusion that to write one simple, perfectly formed example would be best - that is, before experimenting with the type...  Plath uses - BTW - 'Leans and Thirteens' in her repeating lines for 'Domesday'. But it's deliberate, as far as I can work out after examining the echoes and meter variants.
But am new to this.

My 'Lies and Fireflies' was not deliberate!! There's no denial!

I got waylaid from a simple-yet-perfect form and ended up with Paranoia! (Literal literature here!) Which is rather a complex poem,  with internal rhymes/ homophones etc. I'm hoping  the 2nd lines have the same distinct meter! First and third the same.

Yeats gave me the longer line varient. I liked the endless galloping feel - found in Brownings 'How They Brought the Good News from Ghent to Aix' And Tennysons '600' - and with the title wanted something a little breathless and inescapable. You can hear Tennyson read his'600' on the Poetry Archive  (Eddison's wax disk!) Incredible. Hence to my three sets of four syllabic beats.

See what you think Mr B.

Paranoia

The knives are out – I’m on the rack, nowhere to run.
Head full of pills, I’m a cut-throat blade.
Ill whispers fly, sweat burns my eyes, a haunted son.

A distant shout – I’m dead tonight, was born to shun.  
A force inside, I’m in zero shade.
The knives are out – I’m on the rack, nowhere to run.

The searing doubt – I’m sick with fright, a loaded gun.
Heart stopping dread – I’m the devil’s trade.  
Ill whispers fly, sweat burns my eyes, a haunted son.

A life in draught – I’m desert blown, scorched by sun
A brief respite, I’m no better made.  
The knives are out – I’m on the rack, nowhere to run.

The fatal bouts  – I’m hung each day, skullduggery done.
Hell’s Jobe elect – I’m cursed and betrayed.
Ill whispers fly, sweat burns my eyes, a haunted son.

Me; foul lies clout – I’m reasons whip, pitied for fun.
Me; shriven lout – I’m a holy cade.
The knives are out – I’m on the rack, nowhere to run.
Ill whispers fly, sweat burns my eyes, a haunted son.

[This message has been edited by HAZARD (06-28-2009 11:50 AM).]

rachaelfuchsberger
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27 posted 2009-06-29 04:15 PM


Ok....so I'm not sure if it makes sense, and I may have reached a bit with the rhyming, but here's my go at it:

Feeling Your Presence Gone


There I sat alone
On a crowded floor
Feeling your presence gone

Your light once brightly shone
When you walked through the door
There I sat alone

Feeling you to the marrow of my bone
Needing you to my core
Feeling your presence gone

Though through you I’ve grown
Finally able to be mature
There I sat alone

Missing your vocal tone
Feeling of myself a bit unsure
Feeling your presence gone

So now I’m lying prone
Feeling poor
I moan and groan
Feeling your presence gone

Arana Darkwolf

rachaelfuchsberger
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28 posted 2009-06-29 04:26 PM


oops! double posted! Didn't see it 'cause it was on page 2..sorry!



Arana Darkwolf

[This message has been edited by rachaelfuchsberger (06-30-2009 04:06 PM).]

Balladeer
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29 posted 2009-06-30 08:01 PM


Hi, HAZARD!

Yes, Plath used leans and thirteens in her villanelle and it was perfectly correct since the accent was right, with the accents being in the right place...LEANS and thirTEENS. Also, in her Denouement Villanelle. she uses aWAY and SAY...equally correct.

Your villanelle is excellent. I confess I've never seen it done that way, since most villanelles use the 8 or 10 syllables  but there is no set rule to that and you do it brilliantly. Your first and third lines are perfect iambic and your middle lines are divided between iambic and anapestic with a closing accented syllable.....very nice. If I were to be nit-picky (which the whole world knows I am NOT ) I would point out that the middle line in the 5th stanza deviates by beginning the second half of the line with an iamb instead of an anapest, which causes the line to be one syllable short, but why quibble? I'm very impressed by this work and by the speed in which you corrected everything that was incorrect in your first attempt. You are a quick study, sir.


Balladeer
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30 posted 2009-06-30 08:11 PM


Rachel, you made a fine effort. The theme of the poem has a very touching flavor and feeling to it.

What you will have to do, though, is pay attention to the syllable counts and the accents used (iambic, trochaic, anapestic, etc). That may be a lot of studying if you are unfamiliar with them but you can find lessons on each one in the topics of this forum.

Also, remember that, in a villanelle, the first and third lines of the first stanza must be the third and fourth lines of the last stanza.

I appreciate you effort and your willingness to do what it takes to make your work as good as it can be. it's good to have you here

rachaelfuchsberger
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31 posted 2009-06-30 09:08 PM


Feeling Your Presence Gone


There I sat alone
On a crowded floor
Feeling your presence gone

Your light once brightly shone
When you walked through the door
There I sat alone

Feeling you to the marrow of my bone
Needing you to my core
Feeling your presence gone

Though through you I’ve grown
Finally able to be mature
There I sat alone

Missing your vocal tone
Feeling of myself a bit unsure
Feeling your presence gone

I moan and groan
Feeling poor
There I sat alone
Feeling your presence gone


Thank you, Sir. I've corrected the mistake in the last stanza as far as the last two lines not being the first and third of the first stanza....now I'm off to figure out meter. Rhyme I've got. I'm struggling with meter, though. ~slinks off to find the workshops on meter~


Arana Darkwolf

HAZARD
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ENGLAND
32 posted 2009-07-01 04:31 PM


I certainly do not pretend to know it all after a short study period, but I needed to be set straight. Your analysis is more advanced than mine, and that's why I'm here. Where else can I get amazing tuition for the price of good will? I have been writing for some time.  I'm in my prime, as I like to think.

I'll post this one for aesthetic review... And share.
I'll try another too, that purity still eludes me. You cannot call a Pidgeon a Dove! Lol

Once again man thanks for your time.
H

Balladeer
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33 posted 2009-07-01 05:05 PM


The price of good will? You didn't read about the annual fees??? Oh, well, guess I'll have to give you a free pass, then. Name a child after me and we'll call it even
Oklahoma Rose
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34 posted 2009-07-02 11:27 PM


I think you know that the Villanelle is one of my most favorite forms. This, and the sonnet. Although, I haven't wrote many of either. Or, maybe I should say havent't attempted to write many of either. I figure if I ever learn the meter, I will then be able to write the Villanelle and Sonnet with ease. The problem is in learning the meter. Actually, I think my favorite is the Villanelle. Then, the Sonnet. Oh, how I wish I could learn the meter.
Now for a topic!

[This message has been edited by Oklahoma Rose (07-03-2009 02:53 PM).]

Earth Angel
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Realms of Light
35 posted 2009-07-13 03:11 AM


I know I'm late getting on the villanelle bandwagon, but here is my 'attempt' at writing one. I found this EXTREMELY difficult to write. I had nary a hair on my head after writing it!

God's Light

I wake each day to see the sun so bright,
Then plant the seeds of joy that they might grow.
I sleep in peace as moonbeams light the night.

My day is done. ~ I tried to do what's right,
Took care, for I shall reap as I did sow.
I wake each day to see the sun so bright.

For all is well in God's embrace of Light.
As is above, may we be blessed below.
I sleep in peace as moonbeams light the night.

Gold rays of love, they wash away the fright.
The pain, the doubt ~ away they all do go.
I wake each day to see the sun so bright.

The skies are clear with no dark clouds in sight.
Both day and night, God's love fills up my soul.
I sleep in peace as moonbeams light the night.

Bask in the glow of God's eternal Light.
Let go, let God, enjoy life's ebb and flow.
I wake each day to see the sun so bright.
I sleep in peace as moonbeams light the night.


Balladeer
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36 posted 2009-07-13 05:21 PM


Ah, Angel..if you lived closer I would spank you, whether you liked it or not!

You have painted a moustache on the Mona Lisa. You have drawn graffiti on The Last Supper. You have come up with a beautiful poem with some fantastic lines and then killed it with laziness.

I wake each day to see the sun so bright,


How bright is that? So bright it blinded me? Ok. So bright it was beautiful? Ok. But just so bright? I can picture a first-grader saying, "Mommy, this morning I saw the sun so bright!" but I can't picture an adult saying it. Have YOU ever said it to someone?  Unlikely.

Took care, for I shall reap as I did sow.
The pain, the doubt ~ away they all do go.


We discussed your "do"'s before but apprently I didn't make it clear enough. Those lines are horrible because you inserted do's to keep the meter and the rhyme instead of taking the time to figure out a way to say the same thing in a proper way.

The only reason I'm being hard on you is because I love the poem. It's a poem for people to read and get a wonderful feeling. Instead, with these sins you employed, the beauty of the poem is lost and one walks away disappointed with the construction inadequacies you employed.

You are better than that.....



Earth Angel
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37 posted 2009-07-13 05:41 PM


My dear Teach, I do believe that you are the only one who can chastize me and make me laugh at the same time! Your sense of humour cracks me up.

I wrote this 'ville from hell' a few years ago and I never attempted another one because I darn near went bald pulling my hair out during the process. I was not satisfied with it but I thought a learned task master such as yourself would be of some help ~ which you are. So, it's back to the writing/drawing board for me. This time I will be pulling out the eyelashes on my baby blues as I am bald from my last experience.

LL

Earth Angel
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38 posted 2009-07-13 06:45 PM


Well, I may be a glutton for punishment, but I'm back for more of your critical thinking!


God's Eternal Light

Each morn I wake in light of sunshine bright,
and plant the seeds of joy that they might grow.
I sleep in peace as moonbeams light the night.

Each wrong I’ve done, I plan to make it right.      
~ For I shall reap the seeds I plant and sow.
Each morn I wake in light of sunshine bright.

For all is well in God's embrace of Light.
As is Above, may we be blessed below.
I sleep in peace as moonbeams light the night.

Gold rays of love cast out my days of night.
God guides my oars as steady forth I row.
Each morn I wake in light of sunshine bright.

The skies are clear with no dark clouds in sight.
Both day and night, God's love fills up my soul.
I sleep in peace as moonbeams light the night.

Bask in the glow of God's eternal Light.
Let go, let God ~ enjoy life's ebb and flow.
Each morn I wake in light of sunshine bright.
I sleep in peace as moonbeams light the night.

LLD



[This message has been edited by Earth Angel (07-14-2009 01:27 AM).]

Balladeer
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39 posted 2009-07-13 06:59 PM


You  have re-earned your angel hair! This is brilliant. The moustache is gone!

Now was that so hard without the do-wop?

Earth Angel
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40 posted 2009-07-13 07:27 PM


Thank you, Teacher. Hopefully the "do-wop" will be goneforever ~ but bad habits die hard and they have a tendency of creeping back up on we imperfect humans (I'm not really an angel. lol), so please keep your eagle-eye on me! I appreciate your help. Thanks, again!

LL

Alison
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41 posted 2009-07-14 12:52 PM




quote:
(I'm not really an angel. lol)


No way!  Say it ain't so! Next you are gonna say that there ain't no Santa Claus or Easter Bunny!  For shame!

Of course, you are an angel.  I am 'cause I do believe.  I do!

Earth Angel
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42 posted 2009-07-14 01:05 AM


Alison, gawd, you are so flippin' cute! That was downright hilarious! (pssst. come close. I REALLY AM an angel but my halo is held up by tiny little horns.)

LL

Alison
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43 posted 2009-07-14 01:28 AM


Some guys really dig horny angels.  K, I am done writing graffiti in this thread.  Next thing you know, I am gonna have to clean something (like our minds).

A

Balladeer
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44 posted 2009-07-14 09:27 AM


Consider your teach at the top of that list!...and I think the moose is not far behind
Alison
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Lumpy oatmeal makes me crazy!
45 posted 2009-07-14 09:57 AM


Yeah, but the Moose might have an advantage - they are known to be horny too.

Ya'll know that moose have horns and not antlers, right?  Cause if you don't - that little joke just fell flat.

Balladeer
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46 posted 2009-07-14 10:00 AM


Yep, even us non-Alaskans know that, smarty-pants! Your joke is well noted...and clever
Earth Angel
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47 posted 2009-07-14 10:11 AM


My word! You just made me realize that Moose and Deer have horns! Huge horns! (Angel quivers)~ And Moose must be the horniest beast of all!!! Oh, but they are in the ersine family of animals and are vegetarians ~ they don't eat meat! Whew!
Alison
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48 posted 2009-07-14 10:11 AM


Some of you do.  Lots of you don't - those are the ones who come up here and ask what time we turn on the Northern Lights.

June - it's best to see them in the daylight.

Okay, off to work.

A

Earth Angel
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49 posted 2009-09-08 01:59 AM


Balladeer, I hope your are recuperating and regaining your strength. Please rest and heal before returning to the workshop.
I am submitting another 'French vanilla' for your critque but not before you are ready to get back in the teaching saddle again. Be well, deer friend and teacher!

Go Forth in Truth (Villanelle)

Go forth in truth and bear not false facade
~ Lest ye incur the wrath of those you scorn.
Stand in the loving Light of Father God.

There be no shadows dark on hallowed sod.
Be meek ~ act not as to the manor born.
Go forth in truth and bear not false facade.

Be mindful of the soil on which ye trod
~ That it be strewn with rose ~ not prickly thorn.
Stand in the loving Light of Father God.

He’ll guide you on your path with Lighted rod.
Fear not travails ~ ye need not be forlorn.
Go forth in truth and bear not false facade.

Though hills be steep ~ hang onto Balustrade
~ For He won’t let you fall nor fleece be shorn.  
Stand in the loving Light of Father God.

Give thanks for His avail thru’ prayer and laud.
With grateful heart, rise ev’ry blessed morn.
Go forth in truth and bear not false facade.
Stand in the loving Light of Father God.

LLD


[This message has been edited by Earth Angel (09-08-2009 10:47 AM).]

Balladeer
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50 posted 2009-09-08 05:55 PM


Yanno, Linda, there was a time you were my favorite student. I would wait anxiously for your assignments to come in and then chuckle with glee as I ripped them apart. Meter? Horrible! (chuckle, chuckle) Syllable counts? All over the map!! (What fun!) Oh, the joy you  brought to this old heart, dissecting your poems like formaldehyde frogs.

But now....NOW!...every poem is exact! The syllable counts are perfect, the meter is a work of art, and there are no unnecessary words thrown in to cheat or fudge. Where did I go wrong????? Now, instead of berating you, all I can do is sit back and applaud....and I do!

You have blossomed into a wonderful poet, m'lady. Your possibilities are endless...

brneyedgrly
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51 posted 2009-09-08 06:16 PM


      
           yay for lindy lou!

                

            you are awesome


Earth Angel
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52 posted 2009-09-09 12:25 PM


Oh, my gosh, Balladeer! You really had me going there for the first part of your response! You certainly do have a 'rye' sense of humour! lol

I'm pleased that you are well enough to wade through a villanelle with a critical eye when you are still recuperating from your surgery. Thank you!

As for the last half of your response, it put such a broad smile on my face that it had my cherubic cheeks hurting! I truly appreciate your kind words. ~ I repeat, in the last half! lol Now I know that there is hope for me as a poet. I'll keep working at the craft and developing my skills.

You are a very fine teacher and you have been pulling things out of me that I didn't know I had!

Thank you for the guidance, encouragement and for believing in me. I hope I don't disappoint you after all this praise! Goodness me! this reads like an acceptance speech! Well, it's because I'm so pleased that I 'done good'!  As you know, I find french vanillas a 'B' to write!

Giving you a warm, healing hug and a big kiss on the cheek (next to your nose!!!).

Linda


Shellie ~ You're a real sweetie pie! Thank you!

Earth Angel
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53 posted 2009-09-24 09:44 PM


Oh, Deer! I've been getting out of sync with your lessons! First I wrote a Trilonnet but then you changed that lesson to a Villonet. So then I started writing one of those. I didn't like that form very much so I was pleased that you decided to scrap the Villonet lesson. So then I thought I'd write another Villanelle in its place! ~ But, alas, I now see that you are asking us to write a Hexonneta ~ which I will most likely try as well. LOL

Oh, well. I'm having fun! ~ as long as you don't mind me bumping down your new lesson posts!

Anyhoo, here is my latest attempt at a Villanelle.

Farewell, Dear Knight

Farewell, dear knight, I best be on my way.  
~ For greater heights than thee, I now aspire.  
I take mine leave for fear what I might say.  

Thy wanton ways deceived and did betray.
Along with trust, away flew passion’s fire.
Farewell, dear knight, I best be on my way.    

The time has passed for consummate display.  
Thy heart be worn on sleeve of rogue attire.  
I take mine leave for fear what I might say.  

I kept mine vows to honour and obey.  
No longer will ye be mine kingly sire.  
Farewell, dear knight, I best be on my way      

I wish thee well ~ and for thy peace, I pray
~ For thou hast lost true love for loin desire.  
I take mine leave for fear what I might say.

With heavy heart, I leave without delay
~ To start anew in nearby Devon shire.
Farewell, dear knight, I best be on my way.      
I take mine leave for fear what I might say.

LLD  

Balladeer
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54 posted 2009-09-24 10:43 PM


You know how to ruin a perfectly good knight!!

(I like it!)

Earth Angel
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55 posted 2009-09-25 12:14 PM


Goodnight to a good knight!
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