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Critical Analysis #2
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walter l. jones
New Member
since 2007-10-26
Posts 4
Wisconsin USA

0 posted 2008-03-28 10:29 PM



Trust in dust comes no more

Wayward light pushes me
A bottle floating in her hope
Let your light shine down
Resurrect the heart of sound
Love me well


Boon travels into the heathen rescue of flowers
Moon folds shadows to cups seeking lasting hours

Worn corners as the sleeve bleeds into would be
Torn fabric weaves into the black heart in our sea

Wind travels from sunken chest to river of whom
Tomb left on a pyre of smoke, as coyote will find

Mind is empty on a post release of final power
Hour passes to the avenue of hearts almost blind

Return lady reaches the perfect mark placed page tore
Born once again on willow of breaking souls to more

Unborn child pushes against a new world so perfect of store
Reminders of new at home slackers of fate in bottle pours


Angel on a star signs to be
Spirit on heavens door left
Ripple of wedge christen fate
Laughter is sent on hope gone

Trust in dust comes no more


© Copyright 2008 Walter L. Jones - All Rights Reserved
eminor_angel
Member
since 2003-05-22
Posts 323
Canada
1 posted 2008-03-29 04:12 AM


Your rhyme scheme isn't consistent for these two stanzas:

"Wind travels from sunken chest to river of whom
Tomb left on a pyre of smoke, as coyote will find

Mind is empty on a post release of final power
Hour passes to the avenue of hearts almost blind"

That notwithstanding, I would suggest rewriting this as free verse to see what you're comfortable paring down. I think this poem would do better with fewer words.

badboypoet
Member
since 2008-03-11
Posts 96

2 posted 2008-04-02 02:37 AM


I dunno. Probably just me but it didn't seem to make a lot of sense. Not saying that it's bad but I didn't get it. And that is probibly more my fault than yours.
dwgpoet
Member
since 2007-03-05
Posts 122
FL, USA
3 posted 2008-04-10 01:14 AM



I agree with eminor_angel and badboypoet.
Writing the entire poem out in free verse and including the symbolism written out in explanation for each symbolc word, (such as "moon") may help a poet see were to use a symbolism and where not too.

I know that I am not one to talk.
If you read my "Introduction to Team Verses" you'll see that I need to take my own advice. I am the stove, calling the match hot.

copyright dwgpoet 2007

Brad
Member Ascendant
since 1999-08-20
Posts 5705
Jejudo, South Korea
4 posted 2008-04-10 07:44 PM


Uh, this is free verse.

The problem, I think, is the lack of any real sentence structure. That combined with, for the most part, end stopped lines gives the illusion of something going on when nothing actually is.

At least, I can't get a hold of anything regular here.

Two general points:

1. Iambic can go in many directions, but it still needs to be there somewhere. Even flamboyant Milton brings his excursions back to earth with strick, regular lines.

2. Endstopped lines like this still need to be semantically coherent. One, I think, can  go this route in some cases, but you still need a hint of something to tie it together.

Of course, if there is something here and I'm just missing it, I'd love to hear about it.

  

SkaaDee
Member
since 2008-04-07
Posts 116
Canada
5 posted 2008-04-12 12:19 PM


  I write poems similar to this on occasion.
I find at lot ideas packed into it.
After that I would take it apart idea by idea and write a poem on each.
I would still cherish the orginal poem - I would be allowing it to mother.

example.

Trust in dust comes no more
Wayward light pushes me
A bottle floating in her hope


******************************  

Trust in dust comes no more
since wayward light pushed
hope in a bottle.

******************************

... that is intriguing. Has that combination of words ever been uttered ?


********************************  


Raising neglected eyes, the
curtain swayed seemingly
for the first time
- ever.
trust in dust comes
no more since wayward light
pushed hope in a bottle.
what seemed to be a bird,
but not a bird, slowly winged
into the room - only in light.  
odd, I don't recall such
Norman Rockwell brilliance.
the libation in the light seemed
out of reach yet satisfyingly close.  
last night's empties in the dark seemed
strangely distant and irritating.
rising from the bed I awkwardly
greeted the new day.

***************************  

I hope you do not mind me taking so many liberties. Very interesting imagery you have provided.


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