rad802
Member
since 04-19-2008
Posts 223
KY U.S.A.
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2 posted 08-14-2009 07:43 PM
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This was for practice. Thanks for reading and commenting. I wanted to add a social commentary. Look up the "L curve". I wrote the very end first. And so, I wanted to write a short story that would end with "Darkness, darkness, and then light". I actually got in trouble at work for telling someone that if one of the other co-workers messes with my food, I am going to hurt them. Well, I got called into the front office and chewed out for threating Ed. Even though I was not really serious. Because I do not know who might be reading my stuff, I am being cautious.
(from wikipedia) The story reflects Wells's own socialist political views and the contemporary angst about industrial relations. Other science fiction works of the period, including Edward Bellamy's Looking Backward, and the later Metropolis, dealt with similar themes.
Later in the dark, he is approached menacingly by the Morlocks, pale, apelike people who live in darkness underground, where he discovers the machinery and industry that makes the above-ground paradise possible. He alters his theory, speculating that the human race has evolved into two species: the leisured classes have become the ineffectual Eloi, and the downtrodden working classes have become the brutish light-fearing Morlocks. Deducing that the Morlocks have taken his time machine, he explores the Morlock tunnels, learning that they feed on the Eloi. His revised analysis is that their relationship is not one of lords and servants but of livestock and ranchers, and with no real challenges facing either species. They have both lost the intelligence and character of Man at its peak.
A worthy legacy is the irrevocable consequence of dreaming. Rick A. Delmonico[This message has been edited by rad802 (08-15-2009 09:59 AM).]
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