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Critical Analysis #1
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aurora rain
Member
since 2000-11-15
Posts 90


0 posted 2001-10-05 04:27 AM


like a Monet he drew to my eye
with a lovely redness, a lovely heat,
a lovely winter speckled with colours
of the leaves from the autumn he had me
submerged in--you know, the passing
of the seasons where you’re caught between
the cracks of one dream or another

“it’s this dialogue” he said
and I wept at his words as he called my name
and called me beautiful and told me the things
i’d always wanted to hear
and he knows I’d like to freeze his voice
but this happens the first of every month
and that’s what he doesn’t know
and I keep thinking maybe it’s something
about the sky in the beginning
and maybe the planets--maybe they’re right
and maybe after a week or so they shift to wrong

maybe it’s something I can’t give myself
and it’s out of my hands and I think
I should probably just wait for enough change
for a phone call to heaven or to the stars
because I know he’s up there somewhere,
my angel, and I know he’s hearing me
at this rate even if it’s just a whisper

(do you, do you ever have that dream…
where you open your mouth
and you want to scream
but you can’t make a sound?

...because I’m having it now)

[This message has been edited by aurora rain (edited 10-05-2001).]

© Copyright 2001 aurora rain - All Rights Reserved
aurora rain
Member
since 2000-11-15
Posts 90

1 posted 2001-10-11 01:10 AM


bumping my own topic...
Kevin Taylor
Member
since 1999-12-23
Posts 185
near Vancouver, BC, Canada
2 posted 2001-10-15 04:40 PM


I'm not a proponent of punctuation absolutes in poetry but your first stanza could use either a little more or else some white space and/or judicious line breaks. I get a little lost in the run-on without a bit of direction from you.

Kevin

"Poetry is, at once, what you get... and how you get there."


The Lady of Shallot
Senior Member
since 2001-10-03
Posts 818
USA
3 posted 2001-10-29 09:50 PM


Good poetry should be distilled. This is too wordy. Too many modifiers. Make the nouns and verbs do the work.  Let me give you an example of the first few stanzas how I would critique this....and always, always make the noun go first, like this (also too many prepositional phrases)

He drew my eye like a monet
with a redness, a heat,
a winter speckled with colours
of leaves from the autumn he
submerged me in--passing seasons when
you’re caught between
the cracks of one dream and then another

ok now.......some more (indulge me here)

His dialogue spoke
and I wept at his words as he called my name,
called me beautiful and told me the things
I’d always wanted to hear.
He knows I’d like to freeze his voice
but this happens the first of every month.
THIS LINE MAKES NO SENSE TO ME???

I keep thinking  it’s something
about the sky in the beginning
the planets--maybe they’re right
after a week or so they shift to wrong

OK, NOW....You have the word "and" about a hundred times  

maybe it’s something I can’t give myself
and it’s out of my hands. I think
I should probably wait for enough change,
for a phone call to heaven or to the stars
because I know he’s up there somewhere,
my angel.  I know he’s hearing me.
Even if it’s just a whisper

There are way too  many cliches in this poem, nothing original. It's nice but it's too nice, not interesting enough to hold the reader's attention.

I sure hope this helps and it's not meant to be harsh, believe me I know how it feels to have a poem critiqued and this is said with the best of intentions, to help you as a writer!



-befriend yourself and you will never be alone-

[This message has been edited by The Lady of Shallot (edited 10-29-2001).]

warmhrt
Senior Member
since 1999-12-18
Posts 1563

4 posted 2001-10-31 03:52 PM


Hi,

I like this, especially the first paragraph. I do, however, agree that there are too many "and"s at the beginning of lines from then on. Just drop as many as you can...all of the superfluouslittle unneeded words, tighten the poem up, and it should be very good.

Kris

"It is wisdom to know others;
It is enlightenment to know one's self" - Lao Tzu

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