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haze
Senior Member
since 1999-11-03
Posts 528
Bethlehem, PA USA

0 posted 2000-01-12 11:12 AM


If I Left You

See all of the edges
Tear-stained rhetoric
of what I would Let
to no other If I left you
Then what
Would I show you
Tomorrow
Narcissus
in a withered handful
Tulmultuous spasms
of bearing Vidas
Red & Black
Pills
vanished under wash
and waterfall of blood
Drunk
To Please
Please
Please
Drink me
If I left you what
would you remember

Rags?

I'll leave nothing
before matchsticks
Nothing
before I am celluloid
Torn I'll leave you
This hand
Pink Open
5 Aces Spades

I'll keep in my sleeve.




[This message has been edited by haze (edited 01-12-2000).]

© Copyright 2000 Haze McElhenny - All Rights Reserved
Local Rebel
Member Ascendant
since 1999-12-21
Posts 5767
Southern Abstentia
1 posted 2000-01-12 11:25 AM


I think this one is worthy of a more formal reply.

Look for it where you know you'll find it!  

Verry nice.  I'll leave off my bitch tome because after the third run through it looked perfect.

jbouder
Member Elite
since 1999-09-18
Posts 2534
Whole Sort Of Genl Mish Mash
2 posted 2000-01-12 11:32 AM


Haze:

I'll have to come back to this one later but, for now, I want to thank you for directing this one (for some reason) toward me.  Perhaps it has something to do with my recent post.  Just to rest your mind, what occurred in the "Silver Medal" took place some time ago (assuming that is why you directed your poem my way).  Whatever the reason, thanks.  This is a remarkable work.

 Jim

"If I rest, I rust." - Martin Luther


haze
Senior Member
since 1999-11-03
Posts 528
Bethlehem, PA USA
3 posted 2000-01-12 02:24 PM


LR...(XX) to you...*g* How much flattery can a gurrl stand...did i ask you before? How much have you got (flattery that is *S*)?


JB-
This poem has many levels and meanings. Perhaps it was mused mostly by "Silver Medal" ...Thank you for the read...Til Again My Friend...~haze


[This message has been edited by haze (edited 01-12-2000).]

warmhrt
Senior Member
since 1999-12-18
Posts 1563

4 posted 2000-01-12 02:46 PM


Haze,
I have seen that there are many layers to the person who writes these lines. I don't want to offend you...you're poetry is tragically beautiful, but I can see that it comes from pain.
The piece was truly painfully exquisite.

warmhrt


[This message has been edited by warmhrt (edited 01-13-2000).]

haze
Senior Member
since 1999-11-03
Posts 528
Bethlehem, PA USA
5 posted 2000-01-12 04:23 PM


warmhrt...Thank you...I know the pain shows, I also know if I tried to write without it my voice would turn false. Thank you also  for your compliments...Til Again...~haze


Ps...
What passed before is forgotten, truly.

warmhrt
Senior Member
since 1999-12-18
Posts 1563

6 posted 2000-01-12 09:26 PM


Haze,
Most good poets write from emotion, for they often "feel" more than the average person does, their perceptions are keener, more honed, and because of this joy is more joyous, pain is more painful.  Writing of one's emotions is not only creative, but a release .... learning to put emotion in front of oneself, and actually examine it.
I recommend Kay Redfield Jamison's book, "Touched with Fire", which eloquently describes the link between creativity and pain. You will see most of the revered poets, writers, and artists knew deep pain very intimately.
Don't ever try to silence your voice, my friend.

Fondly,
warmhrt

haze
Senior Member
since 1999-11-03
Posts 528
Bethlehem, PA USA
7 posted 2000-01-13 12:02 PM


warmhrt,

I thank you (truly) for this. I shall look for the book.

Til Again,
~haze

Brad
Member Ascendant
since 1999-08-20
Posts 5705
Jejudo, South Korea
8 posted 2000-01-13 06:57 PM


I think I could write a solid paper on this poem -- it moves in so many directions.  A point of made to someone who doesn't post here (believe me, he would be kicked out of the Adult forum in five minutes let alone here) and I don't know if this is a compliement or a criticism (or if I'm right) but there are moments in this poem when I think I can see where your thoughts are going, I can almost anticipate what will happen next, the lines above trigger the lines below (this is not the same is knowing how the poem is going to end).  Stylistically, I still say you need punctuation -- it has always seemed strange to me that if you're going to use conventions of the language (you know, like words   ) why not use all the tools you have at your disposal?  The poem has a certain vagueness to it but that vagueness (a rare, rare moment for me) actually strenthens the poem's theme -- a fear of showing oneself.  I'll leave it at that but if I have to, I'll prove that my interpretation is at least possible.  

Warmhrt:
Poets are also self absorbed, conceited, and completely blind to certain aspects of life.  They can't see the forest for the trees. While poets may indeed have passion, they often lack compassion.  It sort of comes with the territory. The link between pain and creativity may indeed be there but it also may not -- there's a twentieth century myth out there that I'm very leery of. What I'm leery of is precisely making one's judgement of poetry based on the pain in a person's real life (Shakespeare in Love). If a person is happy, they didn't right good poetry.  So, who's a better poet: Sylvia Plath or Seamus Heaney?

Brad

PS So did you think I was going to say Ted Hughes?  

warmhrt
Senior Member
since 1999-12-18
Posts 1563

9 posted 2000-01-13 11:02 PM


Brad,
I referred to pain, as haze did. I truly believe that poets are more sensitive to feelings, thoughts, emotions, perceptions, stimuli....whatever.  If we weren't, how would we be able to take those things and examine them, in order to write about them.
If these things were shallow, we would not be able to do this. We feel things on a deeper level ... happiness, love, and all the positive emotions included. Of course, if one is in a depressive period, they aren't going to write of joy. I disagree with your "self-absorbed" statement. I think that is a classic misnomer applied to artistic types.  I feel poets have the abilities to look within, and, at times, the need to release is paramount. So we write, and write and write. Poets do not write for others ... they write for themselves, and in it being a gift to others of their choosing, then it is not a selfish act. It is one of self-preservation.

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