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Critical Analysis #1
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Martie
Moderator
Member Empyrean
since 1999-09-21
Posts 28049
California

0 posted 1999-10-06 01:51 PM



From the open door
the last trace of summer
is the garden hose
snaking between knee height dandelions
and sweet peas gone to seed,
air, tinged with the scent
of gasoline and flowers,
leaves, dancing down the street
with a wily breeze
as Crows mark the minutes,
timed to an intimate knowledge
of some unfathomable clock.

While the door is open
you can let in the magic
maps of imagination,
browse in lines of words,
wonder if the melodrama
is a footstep's crunch
away from becoming
ordinary,
or a taping foot and dog's bark away
from balancing
the straight back of self assurance
and the gentle slope of being content,
with the churning of doubt
and the longing to change.

While the door is open
you can wait for a poem to enter
(as Summer necks openly with Fall)
whose meaning cannot be thoughtlessly
introduced into a conversation
or nonchalantly thrown
in hopes that the retriever can make
its meaning clear,
or you can close this last
vestige of summer door,
and catch the poem waiting effortlessly
on your shoulder,
with the patina of humanity
dulling its brilliance,
winking one mischievous eye.


© Copyright 1999 Martie Odell Ingebretsen - All Rights Reserved
Brad
Member Ascendant
since 1999-08-20
Posts 5705
Jejudo, South Korea
1 posted 1999-10-06 09:17 PM


Great first stanza. However, I wonder if you might condense the open door stuff into just one stanza and separate the closed door stuff into its own stanza. I think it would have more impact on the reader.

Don't know about 'knee height dandelion' -- pretty big dandelions if you ask me and maybe change it to 'knee high' unless I'm missing something there.

Good job,

Brad

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