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Open Poetry #18
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mauddib
Member
since 2002-01-12
Posts 119
melbourne australia

0 posted 2002-01-18 04:57 AM


Ah Elizabeth,
What am I to do about you?
You play on my mind like some insidious melody
that I don't know the words too.

But even if I could sing it,
How should I begin it?
With the manner of a maestro that delivers mellifluence in some kind of prelude?
Then with what should I continue?

Patrons pay good money for more than just a short performance,
and I have already spent the change I'd use on refunds.

But you've begun already!
Ahead of me.
Saving the execution at the exits
While nervously passing hand outs with the ease of a blindfolded trapeze artist.
Poised unsteadily upon apology for the musician
Who caught you,
Who left you,
Cramped on a simple grin.

The audience departs,
The concorde begins.

Atlast,
I thought,
No more weary old tunes in staccato rooms,
That are filled with speachless passion,
And are fashioned by experts that keep some sacred score,
On how you would perform,
With such a soloist ridicule.
That's as familiar as puberty,
And just as
deliberate.

© Copyright 2002 greg connors - All Rights Reserved
Kethry
Member Rara Avis
since 2000-07-29
Posts 9082
Victoria Australia
1 posted 2002-01-18 05:48 AM


mauddib,
I liked the rhythm and flow...although apart from the symphonic movement, I'm not sure I understood it.
Kethry

Here in the midst of my lonely abyss, a single joy I find...your presence in my mind.  Unknown



Irish Rose
Member Patricius
since 2000-04-06
Posts 10263

2 posted 2002-01-18 01:41 PM


This is a lovely poem that says much
but the lines were all over the place
many too long. That's really the only
critique I would offer.

I enjoyed it

Kathleen--(Kay)
A true friend does not love you for who you are, but in spite of who you are." -- Caroline Tran

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