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Critical Analysis #2
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guyoverthere
Member
since 2007-08-12
Posts 58


0 posted 2007-08-16 10:13 PM



I imagine the angels
balanced on their wooden rockers.
Floorboards creek
along their tidy porches
somewhere in south Georgia.

Inside the help is polite, industrious.
Outback the littlest ones
spring for firelflies.
While older brothers
amble down along the creek
red and white bobbers dangling behind them.

Inside their stately dining rooms
over polished mahogany,
prized family heirlooms,
women cup their hands together
say things like, “oh my!”

While the men exchange
solemn nods of approval.

After supper the cigars are lit
the bourbon poured,
as talk turns to local politics.
While the wives just knit,
and weigh the benefits of old age
and manners.

As the last guest leaves
a tired spring on the old screen door
safely seals the estate.

Tragedies carefully tucked away
along the bookshelves.

© Copyright 2007 guyoverthere - All Rights Reserved
blister
Junior Member
since 2007-08-16
Posts 18
here, elsewhere
1 posted 2007-08-16 10:28 PM


I really like this one, friend. This one line especially:
While the wives just knit,
and weigh the benefits of old age
and manners.


moonbeam
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Member Elite
since 2005-12-24
Posts 2356

2 posted 2007-08-17 07:18 AM


Just quickly - you need to proofread more carefully Guy.

Floorboards flowing like water?

Firelflies?

Again however this has a lot going for it.

M

guyoverthere
Member
since 2007-08-12
Posts 58

3 posted 2007-08-17 10:25 AM


Thanks moonbeam.  I didn't see 'firelflies'.  
I did see that I used the wrong 'creek' in the second line only after I posted it.
Thank you for checking it out.

guyoverthere
Member
since 2007-08-12
Posts 58

4 posted 2007-08-17 12:52 PM


A revision:

I imagine the angels
balanced on their wooden rockers.
Floorboards splintered
along their tidy porches
somewhere in south Georgia.

Inside the help is polite, industrious.
Outback the littlest ones
spring for fireflies.
While older brothers
amble down along the creek
red and white bobbers
dangling behind them.

Inside their stately dining rooms
over polished mahogany,
prized family heirlooms,
women cup their hands together
say things like, “oh my!”

While the men exchange
solemn nods of approval.

After supper the cigars are lit
the bourbon poured,
as talk turns to local politics.

While the wives just knit,
and weigh the benefits of old age
and manners.

As the last guest leaves
a tired spring on the old screen door
safely seals the estate.

The tragedies all
carefully tucked away
along the bookshelves.

moonbeam
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since 2005-12-24
Posts 2356

5 posted 2007-08-17 06:03 PM


Guy

You are most welcome

I like this poem too.  Will try to look tomorrow in more detail when I'm more awake.

Regards.

M

moonbeam
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since 2005-12-24
Posts 2356

6 posted 2007-08-18 05:41 PM


Guy

This is a step back from your other poem.  Again you have a clear talent for creating tone and atmosphere.  Your vocabulary is used to good effect, and making images is perhaps your strongest suit right now.

Where you fall down is in drawing everything together.  Too often, in this poem especially, I find myself thinking that it's bitty, disparate and without much of a point.  Yet there IS a point, once again you've taken a simple theme: outer order papering over inner turmoil.  You've also picked a neat situation to portray it.  

Try to think about a plan or progression before you put pen to paper.  In this poem I think, for instance, that too much of the impact is left until the very close of the poem.  Up to that point (if you except the "splintered floorboards") the reader gets very little in the way of hints.  Sometimes you can do this successfully, but in this case I simply found myself thinking: la-di-da ok ok but when is something going to happen?  Perhaps the close lacks sufficient impact to carry the contrast to success.  In fact I'm sure this is the case, the close itself is gentle.  You need perhaps to weave some more subtle pointers into the main body to strengthen the theme.  

You also need to address your structure, which is weak in all your poems at the moment.  Study how the best contemporary poets use lines and strophes.  Right now this poem, especially in the last 5 strophes, reads like a list that's just been jotted down as you thought of it.

Finally you really really need to learn what a sentence is.

"While the men exchange
solemn nods of approval."

is not a good sentence.  In fact it's debatable whether it's a sentence at all once you use "while".  Try and do some reading around punctuation and grammar.

Finally finally, your poems lean towards the prosy.  This is ok, maybe it's going to be your "style", but maybe also take time to find a few lyrical poets and read them.  Experiment.

Above all don't be discouraged, I have no idea how long you've been writing, but you have a natural talent, and a bias towards the concrete rather than the abstract which, if you are a relative beginner, is a joy to see.

Best.

M

viking_metal
Senior Member
since 2007-02-02
Posts 1337
In a Jeep, Minnesota.
7 posted 2007-08-19 01:08 AM


I liked the first one more. I actually felt like I was in the south when I read it. Odd, I don't think any poem as ever done that to me.

My grandparents are from the Louisiana, so this brings back many fond memories.

Excellent write, I believe that when you hit the jackpot on the first try, you have to walk away (keep the first one)

-Paul

guyoverthere
Member
since 2007-08-12
Posts 58

8 posted 2007-08-19 02:47 AM


Thank you moonbeam.  Your honesty and your critical eye is something, I not only need, but have been craving for the last three years (that's how long I've been writing).  I appreciate you taking the time to read and critique and so you know your time is not wasted; I've just bought my first book on poetry.  I'm writing my first poem in iambic pentameter and, while it will never be published, it will be kinda funny and I am learning (I've always been a quick study).  I find it amazing that I've waited this long to actually learn the technical language and aspects of poetry.

Again, it is important for you to know how much I value the critiques you all provide.  Without them, I'd never grow.  
                   My sincerest thanks,
                                                     dave  

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