navwin » Archives » Critical Analysis #2 » Sparrow
Critical Analysis #2
Post A Reply Post New Topic Sparrow Go to Previous / Newer Topic Back to Topic List Go to Next / Older Topic
lifeonly
Junior Member
since 2006-10-18
Posts 18
Ontario, Canada

0 posted 2007-08-09 10:34 AM



So, sparrow, here we are again
     and will you fly or sing for me?
The sun is almost hidden; set
     beneath the rain imploded clouds
reflecting, shining, from your eyes.

The clouds are melting in the sky.
     There’s chance that you could sing away the rain
and part the skyline from the weather’s hand,
     but could you fly outside its pearly reach
and sing your song another day?

The choices always crumble slowly, for
     your life has never been an answered question,
or cherry-picked adventure led
     one foot embraced around the power lines
that sway within the yellow, salty day.

Yet, sparrow, time has played your puppet
     (burning lanterns stranded on the porch;
refilled by dusk before the evening
     breaks its seal and sentiments are gathered
from the pieces splayed across the night).

And still you’re resting on the hedges where you’ve
     told your tales; of flights among the water-
falls which leave you hanging by your claws,
     and of how you weren’t surprised by talk
that towers fall before they rise.

Then comes that instant; falling suns
     are violet-shifted through the woven wood
and time hollows (the lanterns fading now)
     so much that you must choose, my little bird,
your wings or song to guide you through the dark.

© Copyright 2007 Jeff - All Rights Reserved
viking_metal
Senior Member
since 2007-02-02
Posts 1337
In a Jeep, Minnesota.
1 posted 2007-08-10 12:53 PM


Whoa.

I was floored by this.

There’s [a]chance that you could sing away the rain


My only contest. And that's a personal preference. I love this piece either way.

sampo
Member
since 2007-02-25
Posts 54
oz
2 posted 2007-08-12 05:35 AM


Well done.

Excellent
progression of narrative,
imagery,
presentation,
enjambment,
sonics... Yep, all of it.

Especially loved this -

The sun is almost hidden; set
     beneath the rain imploded clouds
reflecting, shining, from your eyes.

The clouds are melting in the sky...

You shouldn't have too much trouble
getting this published if you so desire.

Regards,

sampo.

lifeonly
Junior Member
since 2006-10-18
Posts 18
Ontario, Canada
3 posted 2007-08-16 09:45 PM


Thank you for taking the time to comment on the poem.

viking - I'd agree with your suggestion.  I sacrificed for the iambic beat with that line; I'll find a way to make both work.

sampo - You flatter me, hah.  This poem has been hiding away the last few months or so. I pulled it out for a read the other day, and I've always been fond of it so I did a quick revision and here we are discussing it today.

guyoverthere
Member
since 2007-08-12
Posts 58

4 posted 2007-08-16 10:17 PM


I like the image of the sparrow on the hedges telling tales.  Reminds me of a poem I once read about the trees all talking to each other while the wind blew.  
I've said this before, nature themed poetry isn't my cup of tea but I did enjoy this read.  Thanks lifeonly.  

Now I see where he got the 'sing away the rain'.

lifeonly
Junior Member
since 2006-10-18
Posts 18
Ontario, Canada
5 posted 2007-09-14 08:07 AM


When I set out to write this poem I had imagined it to be quite a bit longer than it turned out to be.  I still have a lot of excess material and metaphor I'd like to put into this.  Do you think it would be wiser to write a new "spin-off" poem and let this one stand on its own, or simply add into the middle of the poem?
oceanvu2
Senior Member
since 2007-02-24
Posts 1066
Santa Monica, California, USA
6 posted 2007-09-16 04:59 AM


Hi Life -- One possible thought might be to turn the poem upside down.  What would happen if you wrote it with NO metaphor, simile, or less than truly apt adjectives?  That is, just say what you are saying in a clear and unadorned, but poetic way.

Then put it back together with a fresh understanding.  It's a fun excercise which might surprise you.

Your ability to work within a structure and clean ear for the music in your work are very impressive, as is the poem itself.  The use of iambics, however, invites the use of adjectives for rhythm sake.  So they ought to be dead-on.  For example, what is "yellow, salty sky" about, and where does it come from within the context of this particular poem.

You certainly don't have to justify yourself or explain what you are doing.  Despite a few current threads, that is not really what this forum is about.

You seem to have enough sense just to thank folks and move on.

Best, Jim

[This message has been edited by oceanvu2 (09-16-2007 07:05 AM).]

Post A Reply Post New Topic ⇧ top of page ⇧ Go to Previous / Newer Topic Back to Topic List Go to Next / Older Topic
All times are ET (US). All dates are in Year-Month-Day format.
navwin » Archives » Critical Analysis #2 » Sparrow

Passions in Poetry | pipTalk Home Page | Main Poetry Forums | 100 Best Poems

How to Join | Member's Area / Help | Private Library | Search | Contact Us | Login
Discussion | Tech Talk | Archives | Sanctuary