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Open Poetry #44
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Marc-Andre
Senior Member
since 2008-12-07
Posts 501


0 posted 2009-01-27 08:05 AM


That morn he’d listened to, in discontent ,
A fat soprano’s Carthage queen lament,
And while the freaks rehearsed once more their show

He bandied with some peddlers of snake oil
The stories of Sir Arthur Conan Doyle,
La reine de Montparnasse and Jean Cocteau.

At last he would be home, back from the war;
But one last act before they’d come ashore,
The mummer’s  murder scene of de LaSalle.

Soon after noon he reached his destination,
Beheld again the sugar cane plantation,
The bank astir with quite a  bacchanal.

Without delay, he walked toward the house
Where lived the one he came back to espouse
But there was merely greeted by a starling.

He held the necklace of freshwater pearl
Ripped from the neck of some dead German girl
And taken home to his awaiting darling.

The air was redolent  of spiced mirepoix;
There from the stove of Mrs. Delacroix
Were wafting flavors, bay leaves and cayenne.

The absence of one to be seen or heard
Along with sweetest scents of lemon curd
Recalled such desert places in Ardennes.

He could not wait to see again his date
He got back on the dirt road to the fete
He’d seen that morning by the Mississippi.

He made a brief stop at the general store
Where bourbon bottles used to be galore
And there he was accosted by a chippie.

She was a rather unattractive squab
Who wore a cloche atop her chin length bob,
Her jargon he would fail to understand;

“I’ll help you find a bottle of good hooch
But first let’s to my room nearby to smooch”
She offered as she took hold of his hand.


“And with some barney-mugging and champagne
You’ll soon forget about your Mary Jane”
She whispered in his ears in soothing voice.

“A packet of Sweet Corporal, a coke”
The young nymphet asked from the hoary folk;
As they went out, she said “my name is Royce.”

But then a Cadillac coupe stopped by
Its driver wearing suit and Windsor tie;
Said Royce, “He is my boyfriend, I must go.”

“Yet do join us this evening on the strand
The bee’s knees, as you‘ll see, that old jug band.”
But then, alone again he felt quite low.

He reached the strand as slaughter of the hog
Began before a crowd of kids agog;
There women made boudin and men head cheese.

As they perfumed their meat with some white sage
Kazoo and washboard players climbed on stage
And it was then he came upon Louise

Who with her friends was sniffing some cocaine.
He asked about her cousin Mary Jane
“You’ll find her there, in yon Magnolia lane.”

And then he knew  life had become inane
In this new world there would remain but pain:
The tombstone bore the name of “Mary Jane.”


© Copyright 2009 Marc-Andre Germain - All Rights Reserved
Robert E. Jordan
Member Rara Avis
since 2008-01-25
Posts 8541
Philadelphia, Pennsylvania
1 posted 2009-01-27 11:06 AM


Yo Marc-Andre,

This is a good story well told.  It has a good kicker at the end.

Bobby

Marc-Andre
Senior Member
since 2008-12-07
Posts 501

2 posted 2009-01-27 08:40 PM


Thanks for reading, Bobby. This one is a piece of "setting" research,[Cajun]Louisiana during the Roaring Twenties. That's five decades before I was born, in a state I have never been to, about an ethnic group's culture that isn't exactly mine either. Also, I am trying to present that setting through, as much as possible, the five senses: sight, sound, smell, taste and touch. This is what I'm mostly working on lately. I'd love to know what worked and what didn't. Mark
ethome
Member Patricius
since 2000-05-14
Posts 11858
New Brunswick Canada
3 posted 2009-01-29 02:25 AM


I have to tell you, when, a poem or arrangement of verses hold me to the page from beginning to end then I have to offer the author (you) praise for a well constructed artfully crafted work.

Was there ever a murder at DeLasalle Catholic school I can't remember?

Sad, some of those stories of return to change where things will never be the same.

Excellent work!


Eric

Marc-Andre
Senior Member
since 2008-12-07
Posts 501

4 posted 2009-01-29 03:13 AM


Thanks for reading and taking the time to comment, Eric. Actually, I was referring to the mutiny that killed Sieur de LaSalle, the explorer. I am unaware of the alluded murder(s)at a namesake Catholic school, but I will sure look into it, that would be another relevant topic to explore, I think. Have a marvelous day! Mark
Balladeer
Administrator
Member Empyrean
since 1999-06-05
Posts 25505
Ft. Lauderdale, Fl USA
5 posted 2009-01-29 10:20 AM


Interesting, Marc!  Can you tell me where I may find clues that indicate the subject matter of the mutiny? I thought it to be an excellent story but was a little surprised when you gave that reference. Believe me, I am perfectly capable of missing clues to meanings!

With the exception of a few minor things I would personally change, I think you did an excellent job here with this one. Ballads and/or poems that tell good stories are special to me.

Marc-Andre
Senior Member
since 2008-12-07
Posts 501

6 posted 2009-01-29 12:29 PM


Thanks for reading and commenting, Balladeer The Sieur de LaSalle is the French Explorer who named the basin of the Mississippi "Louisiana" and his journeys forecast the movement of Acadians to this part of New France, the ancestors of Cajun culture. The mutiny in itself isn't that important to the poem. What I'm basically attempting here is to "dislocate" the returning soldier in time. The performances of his fellow travelers are distasteful to the returning soldier. The Carthage Queen is of course Dido, who burned herself after being left by Aeneas; the freak show is actually "rehearsed"; the peddlers refer to medicine shows, a sort of moving circus peddling questionable medicine; and the mummers perform a historical pantomime that, as the rest, shouldn't be of much interest to the protagonist. He is returning to a historical/cultural background to which he can probably no longer identify with. Once he lands, he finds himself in the midst of the Prohibition Era and the Roaring Twenties. The only tangible attachment left, his lover, is dead.

How clearly I have communicated the unsettling changes with not-so-reassuring constants, I am not so sure... and I'd like to know. Does that make any sense to you?

I have personally lived in several countries,  and I've got to say that nowhere have I felt more at lost/unsettled/even homesick in my life than in my own birth place, after an absence of ten years.

Hope that answers your questions. And now that you've awaken my curiosity, what do you feel should be changed?

Mark

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